#ayano kamachi

[haunted-xander]

Redrew an official artwork for fun <3

[juiceycube]

so i finished neo

[mageknight14]

"Trust Your Partner": How NEO TWEWY Deconstructs and Reconstructs the Original

I think one of the most interesting things NEO TWEWY does as a sequel is how it takes the original’s game motif of "trust your partner" and explores that to show the negative downsides of that mindset before rebuilding it up again through new lenses.

In the original, "trust your partner" is a motif that’s there to encourage Neku to learn that it’s okay to be vulnerable and that not everyone in the world is out to get you. That you can become strong enough to withstand any emotional hardships that come your way.

In the ending, Neku is rewarded for taking this lesson to heart and being unable to bring himself to shoot Joshua due to a combination of coming to value their relationship and still subconsciously trusting Joshua to do the right thing even in spite of everything he had done to him by getting revived back to life alongside the friends he had made connections with. He can't forgive Joshua for what he had done but he still trusts him regardless and it's a dynamic that still holds true in NEO.

In OG TWEWY, this lesson works for Neku because almost everyone in the game was acting in good faith, doing what they felt was the right thing in the long-run. This was essential towards helping Neku learn to heal from the trauma caused by the death of his best friend and have him open up again. That even if he gets emotionally hurt, he can still keep moving forward.

But NEO looks at that motif and explores a different side to it, showing how the original lesson can be taken into an unsavory direction if exploited by certain kinds of people or their mindsets. How bad faith actors can and will destroy you if you’re not careful. This is a theme that the game thoroughly explores, from Shiba’s relationships with the Shinjuku Reapers and Kubo to Rindo’s dynamic with Motoi, showing off the consequences of what blind faith and never questioning your idols can do.

However, I think the day that best exemplifies this theme in full is W3D2, the Shoka/Ayano day. I think it should be emphasized that Shoka and Ayano DO genuinely care for each other; their actions show that off incredibly well. However, it’s a relationship that’s been broken down by the events that happened around and between them. Ayano, unable to decide who to trust anymore in the chaos that’s happening around her, latches onto Shoka as a security blanket (she even names her iguana after her!) and tries to do everything to keep her at her side, even gaslight her, out of fear that she will abandon her too. An aspect of her that only gets worse as she gets possessed by Plague Noise.

She’s convinced herself that Shoka is just being led around by her emotions, not being able to see that she’s denying and suffocating Shoka’s agency, and that she’s secure in the choices that she’s made (though it’s understandable given what happens to former Reapers in the end). 

On the other side of the coin, Shoka isn’t able to see for herself until the end that Ayano deeply, deeply misses Shinjuku and that trying to show her what life in Shibuya can be like has only depressed her even more, with Shibuya Survivor showing this in detail. She was simply content to have Ayano by her side, never fully thinking deeper about their relationship and its issues. And when Ayano is too far gone to the influence of the Plague Noise, Shoka throws all caution to the wind and tries to save her only to get herself killed.

All of this shows the limit of trusting your partner for both sides. Ayano can't see that Shoka’s made her own decision and is going to stick with it, and Shoka can't see with a lot of convincing and support that Ayano can't simply be talked down. In a way Ayano's trying to give her life to Shoka by "saving" her and dragging her back to the Shinjuku gang and leaving Shibuya to be destroyed but she can't or doesn't care about the city due to her trauma, so she can't realize that is what Shoka cannot and wouldn't want. We as people can always do our best to trust and understand as much as possible, but there's a hard limit to how much that can work. Some people are NOT going to agree or come to a conclusion and in a lot of cases, it can be painful and tragic but we hit the limit of that.

So what we CAN do is to try and soften the blow and trust and be kind/understanding to Shoka and in this case, the motif of "trust your partner" gets built up again via showcasing Rindo and Shoka’s relationship. These convos show off what it means to be a true friend, to listen to them when they tell you how the situation they’ve been through has affected them, and how that has to be enough, with Rindo assuring to Shoka multiple times that he trusts her and that he won’t abandon her. Maybe he won’t agree with what she decides but he helps her to feel secure in her own agency and come to decide what she truly wants to do, reinforcing what Neku had to learn: becoming emotionally strong enough to deal with what happens next.

And the game showcases that the original lesson still holds true: it was possible to talk Shiba down by appealing to his humanity/better nature and Rindo still gives Motoi a second chances even in spite of what he had done to him.

Having faith/trust in the inherent goodness of others is NOT a weakness but just like how there are people who act with good faith in mind, there are also others who WILL try to screw you over for their own intentions or mistakenly think that what they believe is best for you. And in a time where topics such as parasocial relationships, false information, and isolation are explored more and more, I think it’s an especially important lesson/topic to explore.

[jliciousart]

☠ SHINJUKU SURVIVOR ☠

jeez this season of shibuya survivor was a trip. why did they just allow the shinjuku judges to hijack the game show like that smh?? uzuki should’ve been conductor, it would’ve made the whole thing smoother smh. rated 0/10 on imdb.

[shitpostingkats]

Pinning Down Every Shinjuku Reapers Hanafuda Suit

In The World Ends With You, there are a total of twelve (named) reapers, each corresponding to a member of the chinese zodiac. They continue this design philosophy in NEO, with all of the Shinjuku reapers being based off a different suit of Hanafuda.

Let's start with the ones we know.

(post does contain spoilers)

Tsugumi - January, Crane

Conveniently, most of the reaper's birth months point to their suit, as well as their noise forms, for the ones that have them. Tsugumi is a new years baby, and Grus Cantus is from the hikari card. (Each suit is divided into four cards, with higher point cards being marked with an animal or object, and I'm gonna be honest, this is about all I know. This post is not a comprehensive guide for how to play hanafuda.)

Ayano - May, Iris

Skipping forward a few months, we have Ayano, born May 18th, and using the iris. Every suit, along with having a month associated with it, also has a plant, which is used on every card in the suit. Ayano is pretty much the only reaper who uses her suits flower, rather than an image from a hikari or tane card.

Shiba - June, Butterflies

Born June 21, his noise form is butterflies. Not much to say. I guess I could point out how he's the only of three reapers who wears a symbol of his suit inspiration on his non-noise-form person (necklace). The other two are:

Susukichi - October, Deer

The deer skull is on his tshirt, as well as being able to see a little of his tattoos, which we see later is also a stylized skull and antlers. Birthday matches; October 13th.

Hazuki - December, Phoenix

Ah, the mysterious Haz. The first of our reapers to have a birth month that does not match his hanafuda inspiration. (According to the official guidebook, his birthday is May 5th)While the Phoenix Cantus isn't his noise form, it is mentioned in the secret reports that he is the one responsible for shaping the soul pulvis into that form. Also, like our previous two reapers, he wears his motif on his civilian clothes, in the little phoenix symbols on his jacket. Him being a phoenix is also likely to make him a further foil to Joshua, as they both are the only mythological animals in their respective groups.

Now lets get into the less clear cut ones.

Minamimoto - July, Boar

I know what you're thinking! "Minamimoto isn't a Shinjuku reaper! Also, he isn't a boar, he's a catboy." Undoubtedly true. But he is used caught up in their scheme, purposefully absorbing the soul pulvis and afterwards Leo Cantus manifests with tusks and a snout. What even more interesting is it's very likely his original noise form was a boar as well. But a boar from the chinese zodiac. While he is a lion in the original game, a lion kinda clashes with the Shibuya hierarchy. And between Sho being process-of-elimination the pig, as well as setting up during week two in Pork City. Which could imply that Leo Cantus Armo is a regression to a more berserk and less enlightened state, literally sending Minamimoto back to his roots, before he radicalized and broke away from the Shibuya Reapers.

Kubo - August, Geese

Like Haz, Kubo doesn't have a noise form, but he does have strong narrative ties to the Soul Pulvis, which manifest as a flock of aggressive birds that fly in a V formation. Also, his birthday is August 14.

According to Nomura, Kubo was added late in the writing process. Initially, Nomura wanted to add two characters, but the writer gave him a concerned look, so he settled for just Kubo. Not only is this incredibly funny, we'll be looping back to this.

Hishima - September, Sake Cup

His surname, Sakazuki, is actually the name of the specific sake cup pictured in the September suit. It's the one you see in used in cermonial exchanging of sake, like weddings or yazuka deals. Considering his subplot with Shiba, themes like "brotherhood" and "marriage" are pretty fitting. Once again, the birth month matches: September 7th.

Shoka - November, Swallow

Asterisk. Once again, the cat themed characters of Shibuya have it complicated.

Shoka's birthday is March 30, which is the suit of the cherry blossom. This is further supported by her surname being Sakurane, which was originally made for the protagonist of NEO, to go with Neku's surname being Sakuraba. However the name was given to Shoka as they thought it fit her better. Internally, she is sort of a dual protagonist, being labelled in the data as ch002 and getting billing right after Rindo's actor in the credits.

But her online alias of Swallow points pretty directly to the November suit, and its tane card which features a Swallow. As mentioned earlier, Nomura initially wanted one more Shinjuku reaper character than we end up seeing in the game, so its possible Shoka got some design elements merged together from two different suits so as to not waste any creative material. Or she's just meant to be both and I'm overthinking it.

Kaie - Febuary, Plum Blossom, Warbling White-Eye

We've got ten out of twelve suits catagorized! This, unfortunately, means we are gonna have to start making some guesses.

Kaie's birth month is no help, being November, where Shoka is already using the Swallow symbolism. If we're continuing the tradition of using animal cards, Kaie is either the warbler or the cuckoo. I'm gonna be honest folks, I'm partial to the warbler just because of Kaie's eyebags.

Anyone else see it?

Also, "warbling" could be a a reference to Kaie's preference to not speak, because while he communicates mostly through text, he does have a few voicelines near the end of the game, which shows us his voice is quiet and with a little bit of a stutter. Also, it leaves the last suit open for:

Tsugumi's brother - April, Wisteria, Cuckoo

I bet you thought I forgot about him! Yes, our last suit is the April suit, represented by hanging wisteria and the cuckoo.

Cuckoo's are, for better or for worse, famous for their brood parasitism: a cuckoo will lay its eggs in another birds nest, and when it hatches, the young cuckoo chick will attempt to push all the other eggs out, so it can have the parents sole attention. Tsugumi and her brothers' relationship does not seem anything like that, but it is worth noting that they are only reapers who are related. I think the cuckoo's parasitism is more likely a reference to how her brother was a high-ranking Shinjuku reaper who nonetheless "betrayed" the hierarchy and tried to defy Haz's schemes.

Wisteria is a symbol of love, longevity, and endurance. His final act in death was to protect his sister, ensuring she would survive.

[sitraxis]

Stray Cat 🐈‍⬛

Also on Twitter

[ismatscaff]

My friend got me back into flight rising and as my TWEWY obsession has yet to subside, I'm making the characters into dragons

So far we got...

Nagi (she has the book swarm and miniature sornieth globe familiars):

Beat (he has the mindless familiar bc it's fast, strong and has no sense of direction):

Hanekoma (he has both teapot familiars and the sugar and spice):

Shiki (rather my plans for her, currently she's just all gween and also a baby, she has the four-eyed phylactery familiar):

Kariya (candy cockatiel for obvious reasons):

Sho (again my plans for, he's currently got the falcon primary, also he has the scrapmetal tracker familiar):

Eri (also currently a baby lol):

Ayano (yes she does have an iguana familiar, I went with the Igueel Matriarch):

Aaaaand Joshua! (Opposing forces familiar, it reminded me of his fusion moves)

I'm also currently breeding dragons for Coco (she's gonna be a pearlcatcher), Neku (I want a very specific shade of ourple and also apparently purple + orange imperial dragons are not super common) and Shoka (she's gonna be a lace veilspun)

Also if ya wanna friend me on FR, I'm twewdragons :3

[syringaledraws]

[ 2021 ]

Ayano 🦎

[namedafterflowerstournament]

Botanic Tournament : Irises Bracket !

Round 1 Poll 5

[graffiti-bri]

Happy Birthday to Ayano!! 🎉✨

[sho-minamimoto]

guys help im in desperate need of an opinion

Iris Sanguinea (left) + Iris Ensata (right) side by side comparisons:

iris cantus for comparison:

extra tidbits of info to consider:

iris sanguinea's japanese name is ayame, which sounds closer to ayano than iris ensata's japanese name (hanashobu)

iris ensata is the symbolic flower of shibuya

both flowers grow near water and prefer damp environments, which fit ayano's rain themeing in her battle

[twewytransswag]

Round 1B, Match 7

[randomszzz]

I’ve discovered I can attribute my soft spot for Ayano to my desire to explore the repercussions of shinjuku’s inversion.  Like yeah, Ayano doesn’t really get much development from neo and some have a hard time even counting her a character, but still: when shoka talks about how Ayano never settled into shibuya its just I feel for ya, girl.

[mageknight14]

The Dangers and Flaws of Idolization: A NEO TWEWY analysis post

Transplanting and expanding on a thread I made on Twitter to fit within a Tumblr format.

One of the most interesting aspects I see in NEO TWEWY that I don’t see many people touch upon is the commonality between Rindo, Fret, and Shoka in how they look up to others as role models while simultaneously being blind to their flaws/who they actually are up to the end and how the game's themes are reflected in those relationships and today, I'd like to showcase why.

First, we have Rindo and Motoi. With that relationship, the game makes it pretty clear that Rindo looked up to Motoi as An0ther and used his words as encouragement to get through his own daily life and anxiety. The kid could barely decide what he could even eat for dinner before he had come across the account, so if you thought his current indecisiveness nature was bad, he was even worse before the events of the game.

However, what I find interesting is that even though he constantly spouts An0ther's sayings in an attempt to try and steel himself for the challenges he faces, he thoughtlessly does so and only lives by the sayings half-heartedly, since his indecisive nature and fear of responsibility prevent him from committing all the way. I think it's telling that despite claiming that "don't miss your chance to make a friend" is one of his favorite quotes, he's constantly at odds with the idea of bringing potentially new players on board the team even before he gets the chance to properly know/meet them and grimaces at the thought of the structure of the old Reaper's Game in the original.

Keep in mind that Beat saved Rindo's life at the hands of Susukichi at least two whole days ago before this occurrence.

Nagi’s Dive into his head on W1D3 actually does a LOT to reveal aspects of his character: he puts other people at arm’s length (besides Swallow due to their online anonymity) because he’s afraid of the fallout of what would to happen if he got involved with them.

"What if I end up taking on more than I can handle? What if other people end up dragging me down with them? If I just stay at the sidelines and shift the blame onto others, I won’t get into trouble for this."

"I'm in a group project; everybody is contributing and making decisions about how we should go about doing things. I keep my mouth shut and refrain from pitching in despite maybe thinking some of their ideas misses the point of the assignment, because God forbid my ideas could be helpful (or maybe they won't; that's life, but I won't know unless i speak up). We end up handing in our project and whoops, we got a C-. I guess I'm not responsible for receiving that grade because I never made a decision, therefore I shouldn't be accountable for my lack of contribution. It just makes sense."

If you've known/are a person that have had similar thoughts to this mindset, then congrats; you know/are a Rindo Kanade in real life.

This culminates into him latching onto others he finds capable and taking the relationships around him for granted, tying other people's worth to their prowess in might or influence. After all, why bother relying on yourself and others when you can just rely on someone else for you to solve your problems? Especially since it means that if everything goes south, YOU won’t take the fallout for it. After all, they’re clearly much more capable than you are.

To get back to his dynamic with Motoi, Rindo looks up to him immensely after finding out that he was his idol an0ther and came to value his input regarding matters within the Game. So when he eventually finds out the truth and is forced to confront the fact that his hero was nothing more than a content thief and a schemer who would trample over others just to survive, he’s understandably heartbroken.

However, instead of just leaving it there, the game decides to flip the script and have Motoi legitimately apologize to Rindo for his actions, leading to the lad in question learning to recognize that Motoi is ultimately an incredibly flawed human being instead of just writing him off entirely, (even giving him another chance!) and is, in many ways, a mirror to Rindo. Like Rindo, Motoi was deathly afraid of responsibility and the fallout of letting other people down, leading to him copying and pasting other people's quotes so that he wouldn't have to face that possibility. This aspect of himself only got worse when he got trapped in the Reaper's Game for multiple loops on end, forcing him to become a worse version of himself, lying, cheating, and backstabbing just to survive and even looking towards becoming part of the Reapers, the same group that trapped him there in the first place, just so he wouldn't have to be Erased, un a manner that's eerily reminiscent to how Rindo would took towards overly relying on others so that he would make it out okay. In that sense, Motoi is a look at what a grown-up Rindo would look like if he didn't take the lessons he learned within the Game to heart, which is part of why the latter decides to take Motoi’s copypasted quotes and apply them to his life in a positive way, deriving his own meaning from them so that in a way that contrasts him following them in a shallow manner from before.

Next up, we have Fret and Kanon, who form a interesting parallel to Rindo and Motoi's dynamic. Whereas Motoi is a look at one of the worst possible paths that Rindo could take if he didn't learn how to properly deal with his flaws, Kanon actually tries to coach Fret into becoming more true to and genuine with his actual self. She also shows herself to be a genuinely affable and honorable person even in spite of the bad first impression that she had given at the beginning of the game by stealing Rindo and Fret's pin for herself.

However, that's only the surface level stuff, as the game actually goes deeper with her character. While Kanon at first seems to be true to herself and genuine at her core in a way that Fret isn’t, we can see from the Dive into her head on W3D3 that she’s holding back a LOT underneath the surface.

"You always did have a way of destroying things" tends to get glossed over by some and for those who do look at the words, they seemingly come out of nowhere and can be seemingly brushed off as her just being under the influence of the Plague Noise. However , when you look back at some of Kanon’s actions and her words towards the Twisters (accusing the Twisters of sabotaging Fuya and making Motoi drop out of the Scramble Slam against his will, her mood changing when she finds out about Fuya challenging the Ruinbringers in one timeline as opposed to her more cheerful attitude towards Fret when she didn't find that out just yet, her acting suspicious towards the Twisters regarding their prowess as a team, etc), the implication is that she doesn’t just resent the game as a whole but also secretly the Twisters as well.

The thing about the Player teams is that they have formed an unspoken agreement where the top 3 teams (sans Ruinbringers of course) keep their footing by sending new players and other teams to last place, which the Wicked Twisters screw up just by existing. Their synergy and impressive Imagination powers (well, Fret, Nagi, and Sho’s at least) threaten the balance the teams have struggled to keep up for so long, hence why Kanon initially just sees them as another team to point snipe before she changes her mind on them. And while the Twisters do almost bring about change by beating the Ruinbringers, it ultimately doesn’t even matter in the long-run due to how incredibly rigged the Shinjuku game is and as a result, the DRS are eliminated, getting rid of Kanon’s and Motoi’s safety net.

Imagine this from the players’ perspective: you’re stuck in essentially what is a never-ending death game but you’ve got a system going where you can at least stave off your deaths for a bit longer. Then a couple of kids come around and throw that whole system entirely out of whack. And you think, "well, at least they can take out the top team and give us a fighting chance, right?" Only for those hopes to also get dashed because the rules are just that rigged. Like Kubo said, life ain’t fair and the afterlife sure as hell ain’t either. W1D5 and W2D4 are excellent explorations of this kind of mindset as it showcases the player teams falling victim to their desires and abusing their powers as a result of being stuck in an endless loop of playing the Game over and over again with no hope of escaping, as well as highlights paints certain comments made by the leaders in an even darker light.

With all of this in mind, it’s honestly no wonder that Kanon resents the Twisters but what’s interesting is that she tries to keep this resentment under wraps because she knows that it isn’t fair to them. They’re just kids after all who would have no idea about all of that. Hence why she admonishes herself in her Dive for wishing that they had just wipe out the Reapers altogether and why Fret is shown to be hurt hearing her inner thoughts about the Twisters in a way that’s pretty reminiscent of Rindo’s reaction when he found out about Motoi.

And finally, we have Shoka and Ayano. While it’s pretty clear that the two do genuinely care for one another, it’s a relationship that’s been tragically scarred by the events surrounding Shinjuku and the Reapers in general, resulting in a mutually unhealthy dynamic. 

What I find interesting about the relationship is that while Shoka gets pissed whenever Rindo insinuates that Ayano must’ve treated her badly, she sadly realizes in another convo that she doesn’t know much about Ayano on a personal level or what her interests even are.

In spite of how close they are and how much they mean to each other, Ayano still put up emotional walls and closed herself off, never allowing herself to be on equal footing to Shoka and instead just be someone who guides and mentors her over the 4 years they were together.

This is due to her feeling betrayed by Shiba/others while simultaneously using Shoka as her one stable point in life regardless because everything is going up into chaos surrounding the Shinjuku Reapers and she finds herself unable to trust anyone around her anymore. And Shoka herself doesn't even realize this until the end when it’s too late because she was just happy to simply have Ayano by her side without thinking deeper about her and their relationship as a whole due to her own emotional issues and troubled past.

When it comes to children from broken homes, they are prone to imprinting on any adult figure that interacts positively with them and in Shoka's case, this is exactly what she did with the Shinjuku Reapers, especially Ayano.

A running theme throughout all of these instances is how they all involve the younger generation looking up to the adults in their lives as idols as opposed to just role models and thus fail to see them for who they are as actual human beings. And by the time they that finally do, it's too late for the adults.

You also see nods towards this theme via the Shinjuku Reapers and their relationship with Shiba or Shiba’s (who himself is parallel to Rindo if his tendency to subconsciously take on the values of others and mistake his as his own was twisted into the worst possible outcome) relationship with Kubo, with Hishima even flat out stating as such. "You fell at the feet of an idol like an utter fool", indeed.

And this all fits, as well, into NEO's larger theme that even as a 'follower', you have to question the 'leader'. Role models aren't bad -- but idols and failing to recognize their limits/flaws/toxicity are and will end up screwing you over in the long run if you aren’t careful. And I think NEO did an excellent job at exploring the little nuances that come with that, from Kanon’s internal resentment she knew wasn’t fair to the unseen distance between Ayano and Shoka to Motoi being a complete deconstruction of it all. It shows the good and the bad of idolizing someone too much. It shows how you can see the real them and turn the image you liked into something more with Rindo, or how to hold them in your heart while moving on like Shoka. It's okay to acknowledge the flaws and shortcomings of the people you look up to. Hell, it’s probably healthy to do that in some ways. As long as they’re still a good person or even helped you grow, you can still celebrate the good they brought

[inversionimpulse]

Every time I see good fanart of Shoka this voice clip just plays in my brain for some reason

[flattest-twewy-character]